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Planning for Digital Imaging Projects
Selected Resources for Digital Imaging
Information for Newspaper Digitization Projects in Illinois
Illinois Digitization Institute Workshops
Planning
for Digital Imaging Projects
The key to a successful digital imaging project is: PLANNING, PLANNING, PLANNING.
The success of a project is generally in proportion to the time spent in planning the project. Digital imaging projects are complex, time-consuming, and costly. To help you avoid some of the pitfalls here are some recommendations and resources for planning a digital imaging project.
Some key components of a digital imaging project:
Selection - Issues to consider when selecting material for digitization:
- Collection development plans your library may already have in place
- Intellectual value of the collection to researchers
- Demand from current (or potential) users
- Historical or geographic area covered by the collection
- Has another institution digitized the same, or similar, materials?
- Physical condition of the collection, is the material suitable for digitization? (Issues to consider: will preservation work need to be done prior to digitization?; bound volumes should be able to be opened to at least a 90 degree angle to be scanned; maps may need to be significantly reduced to display online resulting in a loss of fine detail and spatial context)
- Copyright permission (if the materials are not in the public domain you MUST have permission from the copyright owner to digitize the material)
Standards for digitization:
There are many best practices recommendations for digitizing materials. Remember that these guidelines may require adaptation to particular projects, dependent upon source document characteristics such as font size, photographic detail, and physical size.
The Illinois State Library Digital Imaging Program uses the following best practices for scanning:
Archival images:
- File saved in uncompressed TIFF format
- Printed black & white text or maps: bitonal, 600 ppi
- Black & white photographs: 8-12 bit grayscale or 24-36 bit color, 300-600 ppi
- Color photographs, manuscripts: 24-36 bit color, 300-600 ppi
Access (or display) images:
- File saved in JPEG format, with medium quality compression
- 150 ppi
- 1024 pixels in length
Thumbnail images:
- File saved in GIF format
- 72 ppi
- 150-200 pixels in length
Access - issues in organization, management, and delivery of your digital image collection:
- Metadata: cataloging and technical data associated with digital images either embedded or as associated text, crucial for searching and access
- Storage: where will the images reside, will you need to purchase a server?
- Backup/disaster recovery: two copies of all digital image files are recommended, one stored off-site
- Rights managment: copyright notices, licensing agreements, digital watermarking
- Viewing software: will your users need to download a plug-in to view the images?
- Finding aids/indexing: will creation of indexes/finding aids be necessary to assist users in accessing information?
- Reformatting/media refreshing to avoid data degradation: plan ahead, it's inevitable
Selected Resources
Project Planning:
Moving Theory Into Practice: Digital Imaging Tutorial (Cornell University)
Project Planning Checklist (Library of Congress)
NINCH Guide to Good Practice (National Initiative for a Networked Cultural Heritage)
A Framework of Guidance for Building Good Digital Collections (NISO and IMLS)
Standards/best practices/recommendations for digitization:
Building Digital Collections: Technical Information about American Memory Collections (Library of Congress)
Digital Formats for Content Reproductions (Library of Congress)
Electronic Text Center: Archival Digital Image Creation (University of Virginia)
Technical Recommendations for Digital Imaging Projects (Columbia University)
Metadata:
Digital Libraries: Metadata Resources
Introduction to Metadata (Getty Institute)
Descriptive Metadata Guidelines for RLG Cultural Materials
Dublin Core Metadata Best Practices (Collaborative Digitization Program)
Copyright:
United States Copyright Office
Copyright Crash Course (University of Texas)
"Copyright Term and the Public Domain in the United States" by Peter B. Hirtle
Digitization Equipment (Product Reviews and Evaluations):
Flatbed Scanner Review
Imaging Resource
Overview of digital cameras (Berkeley Multimedia Research Center)
Reviews of scanners and digital cameras
ZD-NET--Computing product reviews
Information for Newspaper Digitization Projects in Illinois
If the newspaper is not in the public domain you MUST get permission from the publisher or copyright owner.
If you are planning to use the OCLC historic newspaper digitization service:
- For best digitization results, the quality of the original newspaper or original microfilming is very important.
- OCLC can work with the original newspaper, but using microfilm copies is more cost-effective.
- When digitizing microfilm, best results are achieved using silver positive copies made from the master negative. Silver negative copies from the master negative may also be digitized successfully.
- Diazo microfilm copies have been successfully digitized, but again the quality of the original microfilming process is crucial for best results. If the original filming was low-contrast the results of the digitization process will probably not be successful.
- Digitizing a working copy of microfilm from your collection is likely to yield poor results. Assessment of up to three rolls of microfilm from your collection can be requested from the OCLC production facility in Bethlehem, PA (TIFFs on CD may also be sent for evaluation.)
- If you do not own, or have access to, master negatives of your newspaper, contact the newspaper or the Abraham Lincoln Presidential Library.
Digitization has become an important component in linking users with rare and inaccessible library collections. The Illinois Digitization Institute has worked to develop a mixture of hands-on and Internet-accessible training materials which will be used to develop digitization skills and knowledge for use in Illinois cultural heritage institutions.
Training will address the following topics:
- Appropriate treatment for materials
- Project planning
- Care and handling of fragile materials
- Copyright and intellectual property issues
- Image scanning and editing
- Storage, description and retrieval of images
- Indexing and description (Metadata)
- Access and delivery via the Internet
- Archiving and preserving digital images
Last updated 05/2007
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